paddybrown.co.uk

Archive for the 'Cartoonists' Category

01st Jan 2014

It’s 2014!

And as it turns out, this Wednesday is New Year’s Day. Whose idea was that? If Julius Caesar or Pope Gregory the whateverth who made the calendar had thought it through, they would have realised that meant me missing two weeks in a row of The Cattle Raid of Cooley. So, normal service will be resumed next week when I’m back at my day job and can remember what day of the week it is.

So, 2013, eh? What was all that about?

An interesting year in a number of ways. My house needed extensive renovation – one of those annoying things where you get someone in to deal with a minor problem, and they find a bigger problem underlying it, so you get someone in to deal with that and they find an even bigger problem underlying that, and so on until you practically have to rebuild the house from the foundations up. So that was a bit stressful, and it meant I spent probably half the year at my mum’s. Which explains why my posting schedule was a bit erratic, but I couldn’t tell you that at the time, because what kind of idiot advertises the fact that their house is unoccupied on the internet?

But I still managed to do some interesting things. For example:

  • In April I was invited to the Dundalk Book Festival, to appear on a panel about Irish comics with Tommie Kelly, Rob Curley, Hilary Lawler and Alan Nolan, and that was fun.
  • At the end of May/beginning of June I was a guest at the 2D Comics Festival in its new venue, the Millennium Dome Falcon Forum in Derry, which was superb as usual.
  • At the end of June the singing class I go to (Singing for Adults with Róisín Magee at the Crescent Arts Centre) held a cabaret concert which raised over £1000 for the MS Society, in which I sang the Temptations’ “My Girl”, duetted with Gary Fullerton on “Me and My Shadow”, and did backing vocals on other people’s solos. It was brilliant. We were stars.
  • In October, as part of the Belly Laughs Comedy Festival, I organised Comic Capers with Davy Francis and Chums, a retrospective of Davy’s 40 years as a cartoonist. Davy was brilliant, a natural raconteur, and we also had fantastic contributions from Ian Knox, political cartoonist of the Irish News, Alan Ryan of Faraday the Blob and The Beano, Ann Harrison of Bunsen Bunnies, Brian John Spencer, cartoonist from Northern Ireland political website Slugger O’Toole, live caricaturist Colm Campbell and documentary cartoonist Patrick Sanders. Not a huge turnout, and there were some organisational hitches, but everyone who came seemed to enjoy it.

Plans for 2014 include ploughing on with the Cattle Raid, which has started its penultimate chapter; keeping up the singing, and hopefully doing a few open mic nights; and getting the new Belfast Drawers’ Club, or whatever it turns out being called, to include political cartoonists, caricaturists, illustrators and storyboard artists as well as comics artists, up and running. No doubt there will be a few surprises along the way. Hopefully they’ll be nice ones.

So, in conclusion, a very happy new year to all my readers. See yez next Wednesday for the conclusion of Medb’s flashback.

Posted by Posted by paddybrown under Filed under Belfast, Blog, Cartoonists, Comics, Events, Music, skip week Comments No Comments »

18th Oct 2013

The Irish Comics Shadow Hall of Fame

I’m a contributor over at Irish Comic News, and currently running is the third annual ICN Awards. This year, rather than do it entirely by public vote, the editorial team has put together an anonymous panel who have come up with the nominations, and put those nominations out for a public vote – and may the best creator win. The Cattle Raid of Cooley is nominated for Best Irish Digital or Web Comic, and you may or may not want to go and vote for it, but please do check out the other nominees as there’s a lot of talent out there, and it deserves recognition.

The only problem I have with the ICN awards is one I have with pretty much all comics awards in the internet age – recentism. There are two Hall of Fame awards, one for individuals and one for comics, and with the exception of Paddy Brennan, DC Thomson adventure strip artist from the 40s to the 70s (see below), they’re all for contemporary artists and publications. If a Hall of Fame is for anything, it’s for recognising the greats of the past. So if you’re going to vote in that category, I’d suggest you vote for Paddy Brennan.

But I’m also going to start what I hope will be a new tradition. Every year from now on, while the ICN Awards shine a light on what’s going on in contemporary Irish comics, I”ll induct five creators into my own Shadow Hall of Fame. Creators you may never have heard of, but who I think you should have. The decisions are entirely my own, so it doesn’t have the authority of a panel or a vote, but I think I know my stuff, so trust me. And this years inductees are:

1. Paddy Brennan.

“The White Witch”, The Topper, 1960s, art by Paddy Brennan

Dubliner Patrick “Paddy” Brennan (dates unknown) started drawing for small British publishers in the late 1940s. One of his characters, Marsman (1948), later appeared in Moore and O’Neill’s League of Extraordinary Gentlemen. He started working for Dundee comic giants DC Thomson in 1949, drawing adventure strips and literary adaptations for The Beano, The Dandy, The Topper, Bunty, Judy and others until at least the late 1970s, and his work was always robust and dynamic. The illustration above is from “The White Witch”, an adaptation of H. Rider Haggard’s She, from The Topper in the 60s. Long-running characters he created include The Beano’s “General Jumbo” and Judy’s “Sandra of the Secret Ballet”.

2. Marjorie Organ.

Marjorie Organ and her comic strip "Little Reggie and the Heavenly Twins", New York Evening Journal, 1902-05

Marjorie Organ and her comic strip “Little Reggie and the Heavenly Twins”, New York Evening Journal, 1902-05

The daughter of a wallpaper designer, Marjorie Organ (1886-1930) moved to New York with her family when she was a child. At the tender age of 16 she joined the art room of the New York Evening Journal, working alongside comic strip pioneers Richard Outcault, creator of “The Yellow Kid”, and Rudolph Dirks, creator of “The Katzenjammer Kids”. She drew her own strip, “Little Reggie and the Heavenly Twins” (1902-05), about a nervous chap mercilessly strung along by a pair of beautiful young socialites, said to be based on Organ herself and her pal Helen Walsh, who married Dirks. “The Wrangle Sisters” (1904-05) were another pair of fashionable girls-about-town, and other strips she drew had titles like “Strange What a Difference a Mere Man Makes!”, “Girls Will Be Girls”, “The Man Haters’ Club” and “Lady Bountiful”. Her career as a professional cartoonist ended in 1908 when she married painter Paul Henri, after which she effectively became his manager while continuing to paint and draw. She died of cancer in 1930, aged only 44.

3. Charles E. Kelly.

Cartoon from Dublin Opinion by Charles E. Kelly, date unknown

Cartoon from Dublin Opinion by Charles E. Kelly, date unknown

Charles Edward Kelly (1902-1981) is perhaps the most prolific and versatile cartoonist Ireland has ever produced. He started out as a teenage messenger boy in the Irish Civil Service, and in 1922, at the age of twenty he, fellow cartoonist Arthur Booth and writer Tom Collins founded Dublin Opinion, a humorous magazine that quickly became a top seller. After Booth’s death in 1926, he and Collins edited the magazine until it closed in the 1960s. An untrained artist, Kelly taught himself from the work of the leading cartoonists of the day, and drew cartoon after cartoon for the magazine in a bewildering variety of styles, also contributing cartoons and illustrations to The Capuchin Annual, exhibiting his watercolours, and climbing the greasy pole of the Civil Service, where he became Director of Broadcasting and Director of National Savings. He died in 1981. His son Frank Kelly is well-known for playing Father Jack in Father Ted.

4. William St. John Glenn.

"Ballyscunnion" from Dublin Opinon by William St. John Glenn, date unknown

“Ballyscunnion” from Dublin Opinon by William St. John Glenn, date unknown

William St. John Glenn (1904-1974) started contributing cartoons to the Belfast sports paper Ireland’s Saturday Night in his teens. In 1925 he created a comic strip for its parent paper, the Belfast Telegraph, called “Oscar”, that ran until 1936. Oscar was an ugly but witty little man, and his attempts to chat up girls gave Glenn the chance to draw fashionably dressed young women, which he particularly enjoyed. When Glenn married a glamorous young woman called Dorothea, so did Oscar, and from 1936 to 1939 Glenn drew a strip called “Dorothea” for the Daily Mail. Readers were so impressed by his attention to ladies’ fashion they assumed that “Glenn” (as he signed his work) must be female. Meanwhile, from 1938 until the ’60s, he drew a weekly scraperboard cartoon, “Ballyscunnion”, for the Irish humorous magazine Dublin Opinion, in which the exploits of the inhabitants of a fictitious Irish village commented obliquely on national and world politics. He worked for the UK Ministry of Information during the Second World War, and afterwards became head of the Daily Mail‘s cartoons department, where he drew the paper’s long-running funny animal strip “Teddy Tail” and a strip based on The Diary of Samuel Pepys. He retired in 1961, and was elected an Honorary Academician of the Royal Ulster Academy in 1968. He died in 1974, at the age of 70, after a series of operations to remove brain tumours.

5. David Wilson.

David Wilson self-caricature from an ad for shaving soap, date unknown.

David Wilson self-caricature from an ad for shaving soap, date unknown.

David Wilson (1873-1935) was born in Minterburn, County Tyrone, the son of a Presbyterian minister, and grew up in Belfast. After he left school he joined the Northern Bank, taking art classes in the evening, and sold his first cartoon to the Daily Chronicle in 1895. He contributed full-page caricatures to Alf S. Moore’s Belfast-based satirical magazines The Magpie and Nomad’s Weekly, around the turn of the 20th century, his bold brush style, influenced by German Art Nouveau illustration and Japanese prints, superb eye for a caricature and surreal political imagery setting him above his local rivals, and he was soon drawing cartoons for magazines in the UK like Punch, The Graphic and The Passing Show. He moved to London, where he set up the Sphinx Studio in 1908. He also painted theatre posters and, during the First World War, propaganda posters, and illustrated books. From the 1920s on he concentrated more on fine art painting. But he never recovered from his son Jimmy’s suicide in the early 1930s, and died himself in 1935.

Posted by Posted by paddybrown under Filed under Cartoonists, Irish artists, Irish comics Comments 1 Comment »

02nd Oct 2013

Why there’s no new comic this week

Comic Capers with Davy Francis and Chums

It’s still just about Wednesday, but I’m not going to make my deadline. I know my rate of production has slowed dramatically this year, but I don’t seem to be able to do anything about it. This week, though, there’s a good reason.

On Sunday, as part of Belfast’s Belly Laughs Comedy Festival, I’m involved in organising Comic Capers with Davy Francis and Chums, a celebration of comics and cartooning featuring one of Belfast’s not-sung-enough heroes, who sold his first cartoon 40 years ago this year (he was eleven, it was to the East Antrim Times, and he was paid 50p). Since then his loopy dip-pen line has graced titles as varied as the Belfast People’s Comic, “Screw the Bap and Head the Ball” in the Shankill Bulletin, Ximoc, Cicerman, Monster Fun, Oink!, Holy Cross, Seven Deadly Sins, Jim the Elephant, Sancho and Thunderbags. Last week he and I drew caricatures at a charity event, and it’s always a pleasure to watch him draw.

So, to get back to the point, a retrospective of Davy’s career will be the centrepiece of an afternoon event on Sunday 6 October, in the Black Box on Hill Street, from 2pm to 6pm. We’ll also be creating a giant improvised comic strip and holding a workshop for kids, and I’ll be speaking about some early comic strips from the Belfast Telegraph in the 1920s, and introducing you to a forgotten Belfast cartoonist. Other illustrious guests include cartoonists Ian Knox (Whizzer and Chips, Irish News, BBC NI’s Hearts and Minds), Alan Ryan (Faraday the Blob, The Beano), Ann Harrison (Bunsen Bunnies), Brian John Spencer (Slugger O’Toole, Huffington Post) and Patrick Sanders (SCEPTrE, Replay Theatre Company), and standup comics Peter E Davidson and Lorcan McGrane.

Promises to be a fantastic occasion and I hope to see lots of you there. But does mean I’ve had less mental energy to devote to other things, like this week’s Cattle Raid of Cooley.

Posted by Posted by paddybrown under Filed under Cartoonists, Events, Irish comics, skip week, Small press comics Comments No Comments »

23rd Jan 2013

The Cattle Raid skips a week

I know, I know. I’ve only managed two weeks after my Christmas break, and I’m already missing one. In my defence, this is a very complicated chapter, and I have a deadline on something else, various family commitments, and I’ve been moved to a new department in my day job and am learning the ropes. Plus, as I’ve probably never told this blog, I’ve been taking singing classes since last spring, and I have to learn my part of a song from Les Misérables, a show I’ve never seen, for Thursday. And my masked alter-ego has to stop my arch-enemy from destroying the world. All that. So once again, I crave your indulgence.

But I want to give you something. I’ve recently, with the aid of Irish Comic News, the Dublin cultural blog Come Here to Me!, and the Powerhouse Museum in Sydney, Australia, been able to reconstruct a biographical sketch of Phil Blake, a forgotten Irish cartoonist from the turn of the 20th century, over at the Irish Comics Wiki (check out the page of his cartoons and illustrations as well). Blake was born in Navan, County Meath, in 1869, the son of a farmer and Justice of the Peace, and seems to have started out drawing ads for Dublin businesses and theatre programmes, before taking over as the regular political cartoonist of the Weekly Freeman about 1898. He had a distinctive art nouveau style, and drew for the Freeman until about 1905, even getting a namecheck in James Joyce’s Ulysses. In 1908 he illustrated The Moneylender, a “controversial and scurrilous” novel about Jewish moneylenders in Dublin by Joseph Edelstein, a well-known if controversial member of Dublin’s Jewish community. Some time after that he relocated to Australia, where he illustrated fashion catalogues for a Sydney department store, and designed books of photographs by pioneering Australian photographer Harry Phillips. He died in Sydney in 1918, aged only 49.

Old Love Letters by Phil Blake, 1902

Old Love Letters by Phil Blake, 1902

Posted by Posted by paddybrown under Filed under Blog, Cartoonists, History, Irish comics, skip week, The Cattle Raid of Cooley Comments No Comments »

12th Jan 2012

ComicBuzz’s Irish comics review of the year, and Molesworth says farewell to Ronald Searle

ComicBuzz have done a review of 2011 in Irish comics, in which I’m mentioned, in splendid company it must be said. Although they do seem to believe The Cattle Raid of Cooley “looks like it will soon come to its end”, which isn’t the case. I’m probably past the half-way stage, but there’s a way to go yet.

In other news, The Economist run an obituary of the great Ronald Searle, who died just before New Year, written by Molesworth himself.

Posted by Posted by paddybrown under Filed under Blog, Cartoonists, Irish comics Comments No Comments »

23rd Nov 2011

Letter like Davy Francis

Davy Francis lettering font

The font I made for Davy Francis, based on his own hand lettering, is available to download for free at DaFont.com – so now anyone can letter their comics like the master.

Posted by Posted by paddybrown under Filed under Cartoonists Comments No Comments »

17th May 2011

Tintin teaser

It might not be immediately obvious from my messy line, but Hergé’s Tintin series is a very formative influence on me, and I have to admit I’ve been a little uneasy about the forthcoming movie adaptation. As a storyteller, Spielberg probably isn’t a bad match for Hergé, but the performance capture CGI animation just doesn’t seem quite appropriate for Hergé’s entirely outline-based drawing. But they’ve released a teaser trailer, and as well as The Secret of the Unicorn it seems they’ve worked in quite a lot of material from The Crab With the Golden Claws, Captain Haddock’s debut – particularly the seaplane sequence, which is one of the most perfect examples of comics storytelling I’ve ever seen. If they like the same stuff about Tintin that I like, then I’m feeling a whole lot less apprehensive about the project.

Posted by Posted by paddybrown under Filed under Cartoonists, Films Comments 1 Comment »

12th Feb 2010

Angel Badia Camps

Over at Leif Peng’s blog, Today’s Inspiration, David Roach is doing a series on Spanish artist Angel Badia Camps, who did some stunning work for British romance comics in the 1960s. Here’s part one, part two and part three, with more possibly to come (via Journalista).

Serenade by Angel Badia Camps

Posted by Posted by paddybrown under Filed under Cartoonists, Comics Comments No Comments »

01st Jan 2010

Acanthus – a cartoonist I sadly can’t include in the Irish Comics Wiki

Frank Hoar (1907-1976), the distinguished architect architect and architectural historian, who designed the first terminal of Gatwick Airport among other things, also drew cartoons for Punch under the name “Acanthus”.  I really wanted to include him in the Irish Comics Wiki, but marrying the daughter of a TD is a bit of a tenuous claim to Irishness. But, gorgeous drawing. I mean, just look at that perspective!

Acanthus All Roads Lead to Rome

Posted by Posted by paddybrown under Filed under Cartoonists, Illustration Comments 2 Comments »

  • Illustration/Comics

  • Other Stuff

  • Buy my comics!

  • Categories

  • Meta

  • %d bloggers like this: